In this film, Robin William's plays Chris Nielson, a devoted husband and father of two. In a tragic accident, both of his children are killed, and a while later, he too follows in another accident. He is transported to heaven, where he is led through the first stages of coming to terms with his own death by a friend from his past. As he is learning to love the afterlife that he is granted, he finds out that his wife, his soul-mate, has committed suicide, and her own despair has condemned her to hell.
There are many beautiful themes in this film, with a lot of very effective imagery. Death is bitter-sweet, with knowledge of the people that are left behind, but also joy as they realise that everything can be exactly as it should be. The darker parts of the film deal with despair and the agonies that humans can put each other through just as well.
Visually, the film is quite stunning. The scenes carry splendour and serenity all in one, as the characters forge their own worlds in which to come to terms with death. In particular, there is a fabulous scene when Chris first comes to heaven. He finds his solace using a rendering of a painting his wife had made for them. At first, the world is literally painted and Williams is paddling through the painting, covering himself with splots of all different colours. It was very well done, and a wonderful image that helped me to really immerse in Chris' journey.
The plot, while relatively simple, is very well paced. The beginning and end have a kind of symmetry that made me smile, and everything in between seems to go through, dealing with events in their own time without rushing or lingering.
The acting was consistent and very good throughout the film. Robin Williams always manages happiness and sadness with equal strength, as Chris tries to be light and happy through dark times and as he struggles to deal with his own losses. Chris' guides in the afterlife play teacher and friend, and are believable in each role. The characters' emotions are portrayed wonderfully by all of the actors, from the happiness in normal life, through to the anguish of loss, and the confusion of death.
My main criticism of this film is that sometimes it seems a little too dark, and a little too monotone. While there is a clear difference in the emotions that are being conveyed at different times, sometimes the overall mood and atmosphere does not seem to change enough to really capture this. There is always a sense of loss throughout the film. Perhaps this is a strength, rather than a weakness. However, it felt that at the times when Chris is trying to be happy and preparing to wait for his wife to join him there should be more of a lift. And when he receives the bad news, and the explanation of his wife's death, there should be more of a dip in the mood.
However, in general this film was warm and thought-provoking, getting across many interesting ideas about death and people and souls. Conceptually, it is a very good film, and I thoroughly enjoyed the way it portrayed its chosen slant, regardless of whether I completely agree with its choices or not. What Dreams May Come is definitely a film for those that like quiet, thought-provoking entertainment, and as such I believe it succeeds in its aims.
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